Viser opslag med etiketten Projected Futures. Vis alle opslag
Viser opslag med etiketten Projected Futures. Vis alle opslag

mandag den 21. januar 2013

Projected Futures / Creating an Abstraction









A collection of our work so far - the creation of chosen scenes and the construction of the backsides and hidden areas. Working with the reality in two understandings - the created reality of Truman’s world and the reality behind the scenes. We try to explore how the experienced crack in reality of Truman’s understanding can be translated into the construction of a dynamic world behind a thin facade - a construction that seems to take over the immediate story of the film and becomes an element and story in itself. The deconstruction of the original plot in the creation of a new - based on the basic program and investigated intensions.

Projected Futures / Four Chosen Scenes











A collection of our work so far - the creation of chosen scenes and the construction of the backsides and hidden areas. Working with the reality in two understandings - the created reality of Truman’s world and the reality behind the scenes. We try to explore how the experienced crack in reality of Truman’s understanding can be translated into the construction of a dynamic world behind a thin facade - a construction that seems to take over the immediate story of the film and becomes an element and story in itself. The deconstruction of the original plot in the creation of a new - based on the basic program and investigated intensions.

Projected Futures / First Ideas










Real and unreal. Construction and deconstruction. Front and backside. Constructed reality. Unreal front. Deconstruction from the backside. In the movies “The Truman Show” from 1998 and “Blade Runner” from 1982 the future of our society is questioned through a dystopian depiction of the lives involved. With one big difference. Where “Blade Runner” from the beginning shows a futuristic, dark, and starved society “The Truman Show” is presented in the beginning as an ideal and clean environment close to an utopian idea. Clearly something is wrong. It is in this “wrong” the two films overlap and become comparable. The merge of the “real” and the “constructed” reality creates a set of questioning. A questioning of the construction of reality and how we relate to our surroundings. How everything has a backside and the wondering of the look of this. The constant interplay between how we construct and deconstruct at the same time – the creation through deconstruction.