tirsdag den 4. december 2012

lørdag den 17. november 2012

A5 / Window in a Valise / Building the Box

 



A4 / Window Expander / Layers of Semi-transparent material



The Picture shows how light is filtered through several layers of semi-transparent material giving the wanted effect, a distortion of visibility when the layers move. 

A4 / Window Expander / Mechanism


The different speed of the panels is caused by different sized wheels

A4 / Window Expander / Diagrams

Diagram showing the movement of the panels caused by rain.
Movement is caused by natural forces.


Diagram showing the movement of the panels caused by turning the shower nob. Movement is caused by physical interaction.

A4 / Window Expander / Technical Drawing


mandag den 12. november 2012

A4 / Window Expander / Video

The first video is illustrates the perception of the device during a shower and the second when it rains 



A4 / Window Expander / Testing Different Materials



The materials used were:
- Mat
- Clear
- Holes

The conclusion was that the materials with holes gave the best relation between transparent and semi-transparent materials

A4 / Window Expander / Building Model





torsdag den 25. oktober 2012


A4 / Window Expander / Program

The previous casestudy shows movement of the rain and the changing visibility of the steam while taking a hot shower. The window becomes a filter showing what is happening inside and outside, showing a daily routine inside and the changing weather outside. In order for the rain to run down and the steam to cover the whole window the angle of the window plays an important part.

The program for the perceptual apparatus will work with water in its different stages: solid, fluid, and gas. Taking the angle of the roof into consideration, the apparatus will through movement create a distortion in visibility.      



A4 / Window Expander / Probe


mandag den 10. september 2012

>>>>>A1. Window safari


>>>>>A0. Manifesto


I never planed on becoming an architect. I wanted to be fighter pilot like every other small boys, but due to my asthma that never happened. I have never thought of me as being artistic. In school I was good at math and solving things by reason, but my art teacher in school told me that I had a talent in the field of art and that I had to pursue it, whether it would be painting in my spare time or something more. It is nice to have someone believe in you. I think she is the reason why I applied for Aarhus architecture school. I like to paint and create things. I have always been fascinated by interior design, especially lambs and chairs. There is something beautiful about feeling the design physically on your skin while using it, which is probably why I also like fashion. Growing up in Denmark with a father who, like many others, suffers from seasonal depression during the winter due to the lack of sunlight, made light very important to me. Every time we moved we added bigger windows to the house and every wall had to be painted in white in order to maximize the sun coming into the house. Sometimes I thought it went out of hand, like when my father painted the table on the terrace in a shinning white so it was impossible to just look at the table and especially eat there.  

If I try to imagine myself as an architect I am not designing small houses, I am designing great buildings. I guess it is because of my ambition of succeeding, which is not a very good reason for doing something.

This last year at the architecture school I found the working method very unfamiliar. I am not used to express my self through models, sketches and photography. I am used to think a lot, which is not very productive. So I realized that in order to more productive I have to sketch more than I am used to. I like building models but I feel that I am spending too much time on the detail instead of adding more to the project.  

My parents like everything clean, white and minimalistic. I prefer the opposite; I love the renaissance and art nouveau buildings. I feel they are more personal and warm in contrast to the cold and impersonal minimalistic buildings. In school I wrote an assignment about Antonio Gaudí who really fascinates me. I am impressed how the façade of la Sagrada Familia looks indefinable from far away, and when you look closer you can see that not one part of the surface is a clean line.
  
To sum up the above I like working in scale 1:1 and I build models. I want to know more about managing the sunlight and the different effects. I want to design something big and at the same time very detailed. I think that the best way for me to become more productive is to sketch a lot more than I have been used to.