P3 / Reprogramming / Inspiration

Trevor Grahl - Piece composed for Noorderkerk, 2010

"One of the things he discovered early on was the effect of getting the musicians to play woodwinds behind the doors of three smaller rooms connected with the main space of the church. Behind closed doors, it made them not only quiet, but also like their sound is coming from somewhere deep inside the building." 

- Amsterdam Academy of Architecture (2012) Music, Space and Architecture, Architectura & Natura Publishers, p. 96

P3 / Reprogramming / Inspiration

Forty Part Motet (2001) by Janet Cardiff



"She took each voice from Thomas Tallis' Spem in Alium nunquam habui, and recorded it individually so that each voice could be given its own speaker within a space. Visitors to the installation could walk through the space and experience the music either as a whole or they could privilege an individual singer, depending on where they stood in the room and how they moved through it."

- Amsterdam Academy of Architecture (2012) Music, Space and Architecture, Architectura & Natura Publishers, p. 73

P2 / Reflective Site Readings

P1 / Relational Taxonamy